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	<title>dominique bradbury</title>
	<link>https://dominiquebradbury.com</link>
	<description>dominique bradbury</description>
	<pubDate>Thu, 11 Dec 2025 23:26:36 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://dominiquebradbury.com/Home</link>

		<pubDate>Mon, 08 Dec 2025 14:58:10 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

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		<description>&#60;img width="643" height="97" width_o="643" height_o="97" data-src="https://freight.cargo.site/t/original/i/e9e91da7907d81210c2c54a8e9e8ab4d126dc0f15b5eec72a902dfcab9231b48/etoqueta-copy-2.png" data-mid="241560838" border="0"  src="https://freight.cargo.site/w/643/i/e9e91da7907d81210c2c54a8e9e8ab4d126dc0f15b5eec72a902dfcab9231b48/etoqueta-copy-2.png" /&#62;
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image credits: Josefina Buschmann M.</description>
		
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		<title>DB0 Installation views</title>
				
		<link>https://dominiquebradbury.com/DB0-Installation-views</link>

		<pubDate>Mon, 08 Dec 2025 14:58:12 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

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		<description>DB0 Exhibition &#38;amp; Installation views
VESTIARIO Dominique Bradbury Museo de Arte Contemporáneo MAC, sede Quinta Normal (Santiago, Chile)April - August 2026
In building her body of work, Dominique Bradbury has obsessively returned to elements commonly labeled as “feminine.” Her practice captures a present that seeps through details, trends, fashion, and skincare routines. This present collides with the past of The Lady with the Fan (ca. 1885–1887), a work from the MAC Collection with which Bradbury chose to enter into dialogue. More precisely, the dialogue is with its author, Alfredo Valenzuela Puelma, whose paintings belong to a tradition in which women primarily serve as “muses.” In this case, the muse was Carlina Garrido, the artist’s wife.


Garrido has large eyes and a calm gaze directed straight at the viewer. However, what most captivated Bradbury was her attire: earrings, a blue dress with a floral pattern, long suede gloves, and the fan that gives the painting its title. Dressed according to the fashion of her time, she enables a temporal convergence. Vestiario thus stages a play between a catalogue that describes and represents real or imagined women, and a collection of clothing and accessories that construct those fictions.Proyecto Financiado por el Fondo Nacional de Desarrollo Cultural y las Artes, ámbito nacional de financiamiento Convocatoria 2026.


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image credits: CR Registros @cr_registrodearte&#38;nbsp;


LABOR Dominique Bradbury&#38;nbsp;Colorado Projects (Leipzig, Germany)January - February 2026
LABOR brings together a new series of paintings that draw on images from fashion, pop culture, and the beauty industry. Fragments of faces, denim, and self-maintenance rituals point toward systems of image circulation and consumption — filtered through a lens of performance and artifice.

Like an accidental Instagram scroll, what does Ariana Grande, an eye-makeup tutorial, and Empress Elisabeth have in common? Perhaps only what we, as viewers, choose to give them. In LABOR, physical and aesthetic work intertwine symbolically and poetically, reflecting how the performance of femininity is a complex constellation of compliance and resistance — of repetition, devotion, fatigue, and eventual exhaustion.

“I dress for the image,” Marlene Dietrich famously declared. Through surface and material, LABOR traces the politics of appearance: how images are never neutral, how ideals of beauty are shaped by sociopolitical contexts where desire, consumption, and aspiration blur into one another.Painting becomes both server and counterpart: What does it mean to extract images from an infinite digital archive and give them poetic materiality? Perhaps simply to look — to remove them from their context and take a moment to reflect on the ritual you performed this morning. Between desire and exhaustion, image and body, LABOR reveals beauty as something made: a practice, a performance, and ultimately, a form of work.

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GLICERINA Dominique Bradbury &#38;amp; Agustina JarpaJudas Galería y Centro de Arte Baños el Almendro CABA (Valparaíso, Chile)March - April 2026
Glicerina is an exhibition project developed through research and production for Judas Gallery and Centro de Arte Baños del Almendro in Cerro Concepción, Valparaíso.


It continues a collaboration between Bradbury and Jarpa that began in 2023, exploring contemporary habits of self-care, hygiene, beauty, and consumption through an interdisciplinary approach. The project reinterprets everyday objects and rituals—such as washing, moisturizing, and grooming—as carriers of identity, gender narratives, and affect, while also addressing questions of access to public and private sanitation infrastructures.


Presented across two contrasting sites—a former public women’s bathhouse and a domestic residential space—the exhibition creates a dialogue between public and private spheres, inviting visitors to move between them.


Glycerin, a versatile substance found in cosmetics, medicine, cleaning, and food, operates as the central metaphor linking the works and ideas.Proyecto Financiado por el Fondo Nacional de Desarrollo Cultural y las Artes, ámbito nacional de financiamiento Convocatoria 2025.



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image credits: Alonso Adasme &#38;amp; Agustina Jarpa

CUIDADO PERSONAL

 Dominique Bradbury &#38;amp; Agustina Jarpa

OMA Galería (Santiago, Chile)June - July 2024











For this project, Bradbury extends an invitation to Jarpa to develop an interdisciplinary dialogue centered in beauty, consumption habits, and self-care rituals related to physical well-being. Under this framework, ADA Projects is born: a collaboration between art and architecture. Through paintings, digital prints, and objects, the show translates experiences of contemporary society with a fragmentary and metonymic vision. The collaboration brings my pictorial investigations into new contexts, complemented by Jarpa's object-based interpretations of the research. Located in the hybrid setting of MUT (which features commercial spaces and offices), the exhibition "Cuidado Personal" allows the artwork and context to organically converge. It explores the boundaries between an art gallery and a store, as well as the definitions of useful objects, decorative items, and art pieces.





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image credits: @fugalde











INSTRUCCIONES
Solo show at TIM Arte Contemporáneo

Santiagom Chile

January 2024











This exhibition comes from my ongoing interest in consumerism and capitalism, using images from my personal algorithm and archives that relate to fashion, beauty, and wellness industries. The works—a combination of oil on canvas and digital prints—form a fragmented narrative touching on personal observations, digital encounters, and reflections on femininity and art history archetypes. I experimented with installation by adopting elements from fashion stores (shelves, hangers, backlit images), playing with their scale and functionality. This new spatiality proposes a critical and complicit dialogue between different artistic languages and contexts. The design of “Oversize II”, a large scale hanger, was thought as a ‘curved skeleton’ that would activate the space and artworks and refer to luxury fashion “concept stores”. With its XL presence and its shape resembling a hanger, it ironically to extreme fashion trends.∾View catalogue /&#38;nbsp;Ver catálogo∾Read / Leer El desorden de nuestros ojos, por Diego Maureira∾Video /&#38;nbsp;Video exposición∾Artist talk /&#38;nbsp;Conversatorio

Proyecto Financiado por el Fondo Nacional de Desarrollo Cultural y las Artes, ámbito nacional de financiamiento Convocatoria 2023





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image credits: @fugalde</description>
		
	</item>
		
		
	<item>
		<title>DB1 The Denim Series</title>
				
		<link>https://dominiquebradbury.com/DB1-The-Denim-Series</link>

		<pubDate>Mon, 08 Dec 2025 14:58:12 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

		<guid isPermaLink="true">https://dominiquebradbury.com/DB1-The-Denim-Series</guid>

		<description>DB1 The Denim Series











My series of works DB1&#38;nbsp;has to do with the depiction of the said fabric, exploring its status as a pervasive contemporary icon. Denim for me is not just as an iconic fabric, but as a "controversial classic"—a material that carries a complex narrative. It follows a journey as the uniform of the working class to its current place as a global global fashion staple.


By focusing in on its colors, textures and forms, my denim paintings confront the fabric's duality: its undeniable cultural appeal and massive production, and its contemporary status as a contributor to environmental disaster. The series uses denim to examine how a single material can embody apparent democratic wearability with profound contradictions in modern consumerism. 






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&#60;img width="2050" height="2932" width_o="2050" height_o="2932" data-src="https://freight.cargo.site/t/original/i/b0d6d1f190c4156cb08f918b2807c03b05713e27f71d11d9e93d37e6e2f4ef2e/Untitled-copy.jpg" data-mid="242382441" border="0"  src="https://freight.cargo.site/w/1000/i/b0d6d1f190c4156cb08f918b2807c03b05713e27f71d11d9e93d37e6e2f4ef2e/Untitled-copy.jpg" /&#62;
&#60;img width="1872" height="2626" width_o="1872" height_o="2626" data-src="https://freight.cargo.site/t/original/i/f7a9a2a4b5adc3b14458cab5098690fb0809ffec8e8c4cd466f2ccc2d89b4bf7/DSC_2641-copy-2.jpg" data-mid="242382350" border="0"  src="https://freight.cargo.site/w/1000/i/f7a9a2a4b5adc3b14458cab5098690fb0809ffec8e8c4cd466f2ccc2d89b4bf7/DSC_2641-copy-2.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>DB2 Skin: Faces</title>
				
		<link>https://dominiquebradbury.com/DB2-Skin-Faces</link>

		<pubDate>Mon, 08 Dec 2025 14:58:13 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

		<guid isPermaLink="true">https://dominiquebradbury.com/DB2-Skin-Faces</guid>

		<description>DB2 Skin: Faces

Just like The Denim series, another sub-theme I work with is skin: faces. My "Faces" include close-ups from makeup tutorials and skincare routines, as well as images of pop culture icons (i.e. actresses, singers) who have permeated a generation's visual landscape.


What interests me in these cropped faces is their ubiquitous presence—whether movie star and/or influencer—who instill an idea or abstraction of looks through a screen, for which, on occasion, I like to add a play button, a pointer arrow or similar digital tools.


”The question to be asked of a face is not 'what does a face represent?' but rather, 'what can a face do?'". The painted face, therefore, is not merely a portrait of an internal feeling, but an external emanation of possibility—a virtual structure that shapes new encounters, new desires, and new ways of being in the world.







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&#60;img width="1786" height="2500" width_o="1786" height_o="2500" data-src="https://freight.cargo.site/t/original/i/13b6b187c864340c4cbb8d79ab10dd0dab2c113971466727d81af378d01a8d75/cuidado-personal_-dominique-bradbury-and-agustina-jarpa_oma-galeria_-images-by-felipe-ugalde-18.jpg" data-mid="241560722" border="0"  src="https://freight.cargo.site/w/1000/i/13b6b187c864340c4cbb8d79ab10dd0dab2c113971466727d81af378d01a8d75/cuidado-personal_-dominique-bradbury-and-agustina-jarpa_oma-galeria_-images-by-felipe-ugalde-18.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>DB3 Skin: Bodies</title>
				
		<link>https://dominiquebradbury.com/DB3-Skin-Bodies</link>

		<pubDate>Mon, 08 Dec 2025 15:16:02 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

		<guid isPermaLink="true">https://dominiquebradbury.com/DB3-Skin-Bodies</guid>

		<description>DB3 Skin: Bodies

DB3 focuses on the non-face elements of bodily care. I've separated these from works concerning the face—which I view as a singular, powerful statement—to focus instead on the rituals, gestures, and artifacts that construct the modern self. These works examine everything from manicures, creams, and exfoliants to massages, soaps, and pharmaceuticals, alongside contemporary ideals of fitness, and the specific gestures associated with outer beauty and self-maintenance.


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&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/09f929979b773b63bda24e8a5fddd2962f87a774132e2476df15bf726b924d16/fullorbit1.001.jpeg" data-mid="241560842" border="0"  src="https://freight.cargo.site/w/1000/i/09f929979b773b63bda24e8a5fddd2962f87a774132e2476df15bf726b924d16/fullorbit1.001.jpeg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/33477841426b3cc07e6b3230b48ac9cefcb337b93b85e9558fd6e7001459eb8b/post--web-instrucciones-ok.021.jpeg" data-mid="241561934" border="0"  src="https://freight.cargo.site/w/1000/i/33477841426b3cc07e6b3230b48ac9cefcb337b93b85e9558fd6e7001459eb8b/post--web-instrucciones-ok.021.jpeg" /&#62;
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&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7741e6efe41b22230264173b531d9c20a895fd35c1eb04ed2270fae30aa49eef/post--web-art-paris.002.jpeg" data-mid="241561925" border="0"  src="https://freight.cargo.site/w/1000/i/7741e6efe41b22230264173b531d9c20a895fd35c1eb04ed2270fae30aa49eef/post--web-art-paris.002.jpeg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>DB4 Fabric, Patterns &#38; Prints</title>
				
		<link>https://dominiquebradbury.com/DB4-Fabric-Patterns-Prints</link>

		<pubDate>Mon, 08 Dec 2025 15:25:21 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

		<guid isPermaLink="true">https://dominiquebradbury.com/DB4-Fabric-Patterns-Prints</guid>

		<description>DB4 Fabric, Patterns &#38;amp; Prints











From polyester or nylon animal prints to tartan replicas and florals for spring, the sub-theme “fabric, patterns, and prints” is directly related to repetitions, imitations, and the proliferation of designs within consumerism and capitalism. Historically, each fabric might have told a story and played a role in the representation and stereotyping of femininity. So what does it mean today when we are presented with cheaper, plasticized versions?


In combination with other images—or standing alone—these pictorial translations become ambiguous symbols whose origins are untraceable. Their ambiguity reflects a detachment of contemporary consumers from authenticity and origin, and also suggests that, through endless repetition, the image of femininity is less about material history and more about a persistent, manufactured code.






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&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d7849e86fd4d42fc40fb1e1297c337730aabe80d134d7f0fca91749673c2679c/FLORAL.001.jpeg" data-mid="241560929" border="0"  src="https://freight.cargo.site/w/1000/i/d7849e86fd4d42fc40fb1e1297c337730aabe80d134d7f0fca91749673c2679c/FLORAL.001.jpeg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>DB5 Accessories</title>
				
		<link>https://dominiquebradbury.com/DB5-Accessories</link>

		<pubDate>Mon, 08 Dec 2025 15:35:35 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

		<guid isPermaLink="true">https://dominiquebradbury.com/DB5-Accessories</guid>

		<description>DB5 Accessories











Items like earrings, buttons, combs, rings, eyeglasses, tend to be called “essentials”, according to the newsletters I receive daily in my inbox. What I see in them is that they blur the lines between object, prosthesis, and adornment. Whether viewed in isolation or within a specific context, they can operate under the same rules and codes as garments: they can tell a story, hold a memory, or, more often than not, actively shape desire, want, and craving. The topic of “accessories”, therefore, explores how these additions function as narrators of the self: the self you want to be, wish to become, or simply what you will never have.






&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e4f9d818223aca8a3f915d8d2309bd8cade7a16f6c2d68c6d19365dbcb677f42/post--web-error-de-cont.009.jpeg" data-mid="241561362" border="0"  src="https://freight.cargo.site/w/1000/i/e4f9d818223aca8a3f915d8d2309bd8cade7a16f6c2d68c6d19365dbcb677f42/post--web-error-de-cont.009.jpeg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1c7bd9c242474269947ce8022fc174e1a17e354c62767db19bf0692ad2c78a8e/post--web-instrucciones-ok.030.jpeg" data-mid="241561379" border="0"  src="https://freight.cargo.site/w/1000/i/1c7bd9c242474269947ce8022fc174e1a17e354c62767db19bf0692ad2c78a8e/post--web-instrucciones-ok.030.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a5159cf69e9893d27cbf4c9f05cde3cf7039b327793066e0ccdbb0a129e60c22/post--web-error-de-cont.006.jpeg" data-mid="241561363" border="0"  src="https://freight.cargo.site/w/1000/i/a5159cf69e9893d27cbf4c9f05cde3cf7039b327793066e0ccdbb0a129e60c22/post--web-error-de-cont.006.jpeg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9c200b6b414b6ceaebb039d6ddcdbefb10334e4c7c785de4bb1b643beacc9132/cuidado-personal-3.003.jpeg" data-mid="241561332" border="0"  src="https://freight.cargo.site/w/1000/i/9c200b6b414b6ceaebb039d6ddcdbefb10334e4c7c785de4bb1b643beacc9132/cuidado-personal-3.003.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5d1274d4a1ce87718edd575e728621b31e56cf30d3163b3696b7e0ef3551e961/post--web-obra-reciente.001.jpeg" data-mid="241561355" border="0"  src="https://freight.cargo.site/w/1000/i/5d1274d4a1ce87718edd575e728621b31e56cf30d3163b3696b7e0ef3551e961/post--web-obra-reciente.001.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/170ae295bb3dcc0954ac8d8e8c6e91615927459f55d84f10f0d83a293b0dd3e9/post--web-2022-selected.013.jpeg" data-mid="241561356" border="0"  src="https://freight.cargo.site/w/1000/i/170ae295bb3dcc0954ac8d8e8c6e91615927459f55d84f10f0d83a293b0dd3e9/post--web-2022-selected.013.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/21a37751a16a758be708c589d0a4535878f3ad4fcf17e30b113aee10d3023f42/post--web-error-de-cont.008.jpeg" data-mid="241561357" border="0"  src="https://freight.cargo.site/w/1000/i/21a37751a16a758be708c589d0a4535878f3ad4fcf17e30b113aee10d3023f42/post--web-error-de-cont.008.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b6e45887b5ad394818fec7ab2e1565a933c0b96211dc6d0dc6c10b3923537050/post--web-error-de-cont.001.jpeg" data-mid="241561365" border="0"  src="https://freight.cargo.site/w/1000/i/b6e45887b5ad394818fec7ab2e1565a933c0b96211dc6d0dc6c10b3923537050/post--web-error-de-cont.001.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c5c402a7040cc96c676468f613f0c7a8253de85066955b653f8319210a39a75d/post--web-error-de-cont.007.jpeg" data-mid="241561367" border="0"  src="https://freight.cargo.site/w/1000/i/c5c402a7040cc96c676468f613f0c7a8253de85066955b653f8319210a39a75d/post--web-error-de-cont.007.jpeg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45576dec4d6ac254a5157c82d3267fcc474f0324a2db295c2a95446e6dddaee7/post--web-instrucciones-ok.022.jpeg" data-mid="241561448" border="0"  src="https://freight.cargo.site/w/1000/i/45576dec4d6ac254a5157c82d3267fcc474f0324a2db295c2a95446e6dddaee7/post--web-instrucciones-ok.022.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/faafaa7464ab87c369e352829d8059f415e51437f302cb42e6beaf470c454440/post--web-2023-blind-lemon-work.005.jpeg" data-mid="241561368" border="0"  src="https://freight.cargo.site/w/1000/i/faafaa7464ab87c369e352829d8059f415e51437f302cb42e6beaf470c454440/post--web-2023-blind-lemon-work.005.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7bc330a0571efecd693ce844aa249e356b47291cfe1152d5d478bb68b9917c6d/post--web-2022-selected.005.jpeg" data-mid="241561387" border="0"  src="https://freight.cargo.site/w/1000/i/7bc330a0571efecd693ce844aa249e356b47291cfe1152d5d478bb68b9917c6d/post--web-2022-selected.005.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d461b6d9ed3b548486893516cba0e473de12279a85159df33f0b80b389f4cd3e/post--web-2022-selected.001.jpeg" data-mid="241561358" border="0"  src="https://freight.cargo.site/w/1000/i/d461b6d9ed3b548486893516cba0e473de12279a85159df33f0b80b389f4cd3e/post--web-2022-selected.001.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a888a05a087b2987a84eb07ec1ceba61004a3873e8379054a95fa204346dd69b/post--web-2023-selected-work.011.jpeg" data-mid="241561370" border="0"  src="https://freight.cargo.site/w/1000/i/a888a05a087b2987a84eb07ec1ceba61004a3873e8379054a95fa204346dd69b/post--web-2023-selected-work.011.jpeg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5117cb107a043224fb13f54e6403ef549567c441d359292880915c48a8700ea6/post--web-instrucciones-ok.031.jpeg" data-mid="241561441" border="0"  src="https://freight.cargo.site/w/1000/i/5117cb107a043224fb13f54e6403ef549567c441d359292880915c48a8700ea6/post--web-instrucciones-ok.031.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/52e5be0cfd839ec92bef16b55c4039ab6c1ee572e5a6f74e47cfd1b976643819/post--web-2023-selected-work.013.jpeg" data-mid="241561371" border="0"  src="https://freight.cargo.site/w/1000/i/52e5be0cfd839ec92bef16b55c4039ab6c1ee572e5a6f74e47cfd1b976643819/post--web-2023-selected-work.013.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/bec3dd373698112699d66c9d93bc4575338b55cfc265ad6a7d94860ae19e3ba4/post--web-error-de-cont.012.jpeg" data-mid="241561361" border="0"  src="https://freight.cargo.site/w/1000/i/bec3dd373698112699d66c9d93bc4575338b55cfc265ad6a7d94860ae19e3ba4/post--web-error-de-cont.012.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f8bea13559935901032bcbf65ceddc71ee453cd7efe74d7bce83d30847be4fda/post--web-2023-selected-work.005.jpeg" data-mid="241561369" border="0"  src="https://freight.cargo.site/w/1000/i/f8bea13559935901032bcbf65ceddc71ee453cd7efe74d7bce83d30847be4fda/post--web-2023-selected-work.005.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/555b8bfbfc2cf652aa39d87e87aa8077eaf7790dfbd9bd57e573194ec46a168e/post--web-error-de-cont.011.jpeg" data-mid="241561366" border="0"  src="https://freight.cargo.site/w/1000/i/555b8bfbfc2cf652aa39d87e87aa8077eaf7790dfbd9bd57e573194ec46a168e/post--web-error-de-cont.011.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0a36fbbb3587c1397599b1f05b8ce203ea64240149ba82c795c09923467c0aba/post--web-2023-selected-work.006.jpeg" data-mid="241561375" border="0"  src="https://freight.cargo.site/w/1000/i/0a36fbbb3587c1397599b1f05b8ce203ea64240149ba82c795c09923467c0aba/post--web-2023-selected-work.006.jpeg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7b87243122fde80ed48548068724a1d73985f4eaccadcf2966db284eb8d155b2/post--web-2023-selected-work.012.jpeg" data-mid="241561372" border="0"  src="https://freight.cargo.site/w/1000/i/7b87243122fde80ed48548068724a1d73985f4eaccadcf2966db284eb8d155b2/post--web-2023-selected-work.012.jpeg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>DB6 Scenes of F</title>
				
		<link>https://dominiquebradbury.com/DB6-Scenes-of-F</link>

		<pubDate>Thu, 11 Dec 2025 23:16:57 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

		<guid isPermaLink="true">https://dominiquebradbury.com/DB6-Scenes-of-F</guid>

		<description>DB6 Scenes of F











The series is a manifestation of my narrative style of figurative painting. I work directly with resource materials from films, advertising, and cosmetic videos. Here, the work often beyond close-up imagery to reinterpret figures within their context, creating "scenes" where female bodies are enacting or being subjected to "beauty moments." These paintings are invested in examining fiction versus reality –historical fiction and contemporary mediated reality–&#38;nbsp; aiming to reflect on the methods and contexts of aesthetic knowledge production.



&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/19966355888a082081762dd8fd3d452f619a68e97aafe5c3479de38655710347/post--web-2023-selected-work.001.jpeg" data-mid="241707406" border="0"  src="https://freight.cargo.site/w/1000/i/19966355888a082081762dd8fd3d452f619a68e97aafe5c3479de38655710347/post--web-2023-selected-work.001.jpeg" /&#62;&#60;img width="3024" height="2200" width_o="3024" height_o="2200" data-src="https://freight.cargo.site/t/original/i/ae6c1f4cbd9f97e311f08fbbdfd9f634634f9880728dadb94defe0c49149f573/Untitled.png" data-mid="241707413" border="0"  src="https://freight.cargo.site/w/1000/i/ae6c1f4cbd9f97e311f08fbbdfd9f634634f9880728dadb94defe0c49149f573/Untitled.png" /&#62;</description>
		
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	<item>
		<title>DB00 Research &#38; Collabs</title>
				
		<link>https://dominiquebradbury.com/DB00-Research-Collabs</link>

		<pubDate>Thu, 11 Dec 2025 23:26:36 +0000</pubDate>

		<dc:creator>dominique bradbury</dc:creator>

		<guid isPermaLink="true">https://dominiquebradbury.com/DB00-Research-Collabs</guid>

		<description>Coming soon...!</description>
		
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